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MEMORY OF THE WORLD

 

Preserving and sharing access to our documentary heritagePRIVATE

 

 

                                                     

  

 

 

 

Abdelaziz ABID

 

Information Society Division

 

UNESCO

 

 

 

 

 

 

 

 

October 2004

Documentary heritage in libraries and archives constitutes a major part of the memory of the peoples of the world and reflects the diversity of peoples, languages and cultures. But that memory is fragile.

 

A considerable proportion of the world's documentary heritage disappears through "natural" causes: acidified paper that crumbles to dust, leather, parchment, film and magnetic tape attacked by light, heat, humidity or dust. The cinema, for instance, is in danger of losing most of the works that have made it the art of the century. Thousands of kilometres of film could just fade away unless they are restored and preserved as soon as possible. Nitrate fires in France and Mexico , for example, have caused important losses.

 

In addition to insidious causes of decay, accidents regularly afflict libraries and archives. Floods, fires, hurricanes, storms, earthquakes... the list of disasters which are difficult to guard against except by taking preventive measures is very long. The recent catastrophe in Japan immediately comes to mind. One thinks also of the earthquake which caused such heavy damage in Japan in 1923, including the destruction of 700.000 volumes of the Imperial University Library in Tokyo . Among the losses were records of the Tokugawa Government and many manuscripts and old prints. World wide distress was also caused in 1966 in Italy when the river Arno flooded library basements in Florence . More than two million books suffered water damage and restoration is still under way.

 

It would take a long time to compile a list of all the libraries and archives destroyed or seriously damaged by acts of war, bombardment and fire, whether deliberate or accidental. The Library of Alexandria is probably the most famous historical example, but how many other known and unknown treasures have vanished in China , Constantinople, Warsaw , or more recently in Cambodia , Bucharest , Saint Petersburg and Sarajevo ? There are many more, and sadly the list cannot be closed - not to mention holdings dispersed subsequent to the accidental or deliberate displacement of archives and libraries.

 

There is no escape from the destructive forces of nature: you cannot stop an earthquake or a flood, but it is a sad reflection that the most grievous losses have generally been the result of human action, whether through neglect or wilful destruction.

Preservation and Access

Recognizing that urgent action was required to stem the disappearance of vast parts of the world's documentary memory, in 1992 UNESCO launched the "Memory of the World" Programme to protect and promote that heritage.

 

The first objective of the Programme is to ensure the preservation, by the most appropriate means, of documentary heritage which has world significance and to encourage the preservation of documentary heritage which has national and regional significance. A twin objective is to make this heritage accessible to as many people as possible, using the most appropriate technology, both inside and outside the countries in which it is physically located.

 

Preservation of the documentary heritage and increased access to it complement one another. Access incites protection and preservation ensures access. For example, digitized materials can be accessed by many people and demand for access can stimulate preservation work.

 

Another element of the Programme is to raise awareness in the Member States of their documentary heritage, in particular aspects of that heritage which are significant in terms of a common world memory.

 

Finally, the Programme seeks to develop products based on this documentary heritage and make them available for wide distribution, while ensuring that the originals are maintained in the best possible conditions of conservation and security. High quality text, sound and image banks could be compiled and made available on local and global networks and reproductions could be derived in many forms such as compact discs, albums, books, postcards, microfilms, etc. Any proceeds from the sale of related products will then be ploughed back into the Programme.

Programme scope and structure

The scope of the Programme is, therefore, vast and involves a variety of partners, ranging from students, scholars and the general public to owners, providers and producers of information and manufacturers of end products. An International Advisory Committee for the "Memory of the World" Programme was appointed by the Director-General of UNESCO to guide the planning and implementation of the Programme as a whole and make recommendations concerning fund-raising, fund allocation and the granting of the "Memory of the World" label to the projects selected, including those not receiving financial support from the Programme. The Statutes of this Committee, approved by the Executive Board of UNESCO in May 1996, provide in particular for close co-operation with competent NGOs such as IFLA and ICA and stress the need to facilitate access to endangered documentary heritage by the greatest number, using state-of-the-art technology.

The IAC consists of 14 people appointed in their personal capacity by the Director-General of UNESCO. The IAC normally meets every two years and the Bureau, consisting of the Chairman, three Vice-Chairmen and the Rapporteur, meets more frequently to advise the Director-General between the main meetings.

So far the Committee has held six meetings (Pultusk, Poland, September 1993 ; Paris, France, May 1995, Tashkent, Uzbekistan, September 1997, Vienna, Austria, June 1999 Cheongju, Republic of Korea, June 2001 and Gdansk, Poland, August 2003). At its first meeting it recommended that the concept of documentary heritage be extended to include, besides manuscripts and other rare and valuable documents in libraries and archives, documents in any medium: in particular, audio-visual documents, computerized recordings and oral traditions, the importance of which varies from region to region. In all these fields there is a need for protection, sometimes as a matter of urgency if we are to prevent collective amnesia and set up world wide cultural exchange.

 

At the national level, it is recommended that a committee be appointed, firstly to identify the most significant documentary heritage, to select projects according to the criteria agreed upon and submit them to the International Advisory Committee and, thereafter, to follow them up. The committee should include experts capable of making an active contribution to the projects and users' representatives. Persons submitting projects must ensure that the rights of the owners of the holdings or collections are protected. In addition, each project will set up its own scientific committee of specialists to determine the general thrust of the project and to supervise its organization. "Memory of the World" National Committees have been set up in 54 countries (Afghanistan, Albania, Australia, Austria, Barbados, Belarus, Bulgaria, Cameroon, Canada, Cape Verde, Chile, China, Colombia, Congo (DR), Croatia, Cuba, Denmark, El Salvador, Estonia, Finland, France, Germany, Hungary, Italy, India, Jamaica, Kazakhstan, Kyrgyzstan, Latvia, Lebanon, Lithuania, Luxembourg, Malaysia, Malawi, Mauritania, Mauritius, Mexico, Nepal, Norway, Pakistan, Poland, Romania, the Russian Federation, Saudi Arabia, Serbia and Montenegro, Slovakia, Sweden, Tajikistan, Tanzania, Thailand, Tunisia, Uruguay and Venezuela) and others are considering the creation of such a Committee. Jordan and Syria have indicated that existing national institutions are already performing the role of National Committees.

 

Lastly, whenever the need arises, a regional committee may select projects of a regional nature, taking local characteristics into consideration, with a view to submitting them to the International Committee.

 

An example of efficient regional follow-up to the establishment of the Programme is the Experts meeting held in December 1994, in Kuala Lumpur for the definition of an Asian component of the "Memory of the World" Programme. Participants from 20 countries discussed problems facing custodians of national documentary heritage materials which are generally endangered because of neglect, adverse physical and climatic conditions, political instability, etc.

 

 The participants agreed to take steps to ensure that Member States establish a mechanism at national and regional levels to identify projects receivable under the "Memory of the World" Programme, as well as to establish individual country inventories of documentary heritage materials, prepare a programme for the preservation and conservation of such materials, and establish promotion and marketing strategies to generate resources to finance the programme. The preservation of the Tibetan manuscripts and the palm leaf collections in various countries, were given priority.

 

Further consultations in the region resulted in the setting up of the 'Asia/Pacific Regional Committee for the Memory of the World Programme' that held its first meeting in Beijing, China, from 17 to 21 November 1998. It was hosted by the State Archives Administration of China. 17 representatives from 8 countries were present at the meeting.

 

As defined by UNESCO, the Asia/Pacific  region includes 43 countries, in each of which the Regional Committee should help establish an active National Committee. Because of the vast size of the Asia/Pacific region, it was agreed that the region was to be divided into four sub-regions and each to be represented either by the Chairman or a Vice Chairman of the Committee. The Secretariat is based in Malaysia at the National Archives on an experimental basis.

 

The Asia/Pacific Regional Committee’s objective is to promote, facilitate and monitor the implementation of the Memory of the World Programme within the region, and to represent the region’s perspective at the international level. In particular, it will support and facilitate nominations and encourage adequate representation of the region’s documentary heritage in the Memory of the World Register. It will also support and complement the work of the National Committees and, where appropriate, encourage or initiate nominations.

 

A number of activities were proposed:

 

l      Contact and encourage the 43 countries to submit more nominations for the World Register through the Regional Committee;

 

l      Promote public awareness of the Memory of the World Programme and the work of the Committee through the following activities: publication of a pamphlet introducing the Committee and giving an overview of the Memory of the World Programme; compilation of detailed and comprehensive guidelines covering, inter alia, selection criteria and submission technique for the Memory of the World Register (material in these proposed guidelines will form the basis for a Workshop); staging a TV promotional programme and designing a Web site for the Committee within one year.

 

Another Regional Memory of the World Committee has been created during a meeting of regional preservation experts held in Pachuca, Mexico, in June 2000. It aims to federate Latin American and Caribbean initiatives for the preservation of documentary heritage and to strengthen the collaboration between experts and institutions in the region.

Some 20 experts from Latin America and the Caribbean attended the meeting, where together they reviewed the development of the Memory of the World Programme in the region and made recommendations for the improvement of conservation as well as digitization of and access to documentary heritage..

It was during this session that the Pachuca Declaration was adopted. The declaration pledges the commitment of participants to:

 

l      Promote and ensure the preservation of documentary heritage of international, regional and national significance, using the most appropriate technology;

l      Raise Member States’ awareness of their own documentary heritage, especially any part which holds significance in terms of common regional memory;

l      Formulate and adopt national strategies which allow to define, safeguard and give access

       to the regional documentary heritage;

l      Propose mechanisms in favour of co-operation and mutual exchange of knowledge between

      professionals of preservation of the historical documentary heritage.

 

The Regional Memory of the World Committee held meetings in Quito, Ecuador and Managua, Nicaragua in 2002 and 2003 that resulted in the creation of a regional Memory of the World register and a number of nominations for the international register.

 

A Sub-regional meeting on the "Memory of the World", held in Budapest from 9 to 10, March 1995 reached similar conclusions. The meeting was attended by participants from Austria, Croatia, the Czech Republic, Hungary, Romania and Slovakia. While digitization is a powerful tool to facilitate access and thereby help to preserve the originals, participants stressed that it has limits and cannot replace conventional preservation work. During the meeting, a co-operative sub-regional project was designed. It is expected that the project will enable the participating institutions to test digitization techniques and equipment and assess the related financial, legal and dissemination aspects. A training session took place in this context in the National Library in Prague in November 1996.

 

A Regional Consultation on the Conservation, Preservation and Promotion of the documentary Heritage of Central Asia was held in Tashkent in September 1997, immediately before the meeting of the IAC. Representatives of the five Central Asian States - Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan - met to discuss improving their links with the Memory of the World Programme. During the meeting they also explored ways of working together for their mutual benefit. They were considering the formation of a loose co-operative regional scheme called ‘Memory of Central Asia’. This scheme was finally established during a meeting held in Almaty, Kazakhstan, in April 2003, in the form of a Central Asian Memory of the World Network.

 

On the occasion of the 6th Meeting of the International Advisory Committee, a Regional meeting for the Baltic Sea countries was held in Gdansk on 30 August 2003.

 

An International Conference on "Memory of the World" was held in Oslo from 3-5 June 1996. Some 150 delegates from 65 countries participated in the Conference, which highlighted the results achieved by the Programme and the need for regional and national plans for preservation and access. The Conference adopted a resolution urging all countries to establish "Memory of the World" Committees and to become active participants in the Programme. The Proceedings are available from UNESCO and can also be copied from its Web Site.

 

A Second Memory of the World Conference took place in Manzanillo, Colima, Mexico from 27 to 29 September 2000. The aim of the Conference was to develop nearer collaboration between the Memory of the World Regional and National Committees as well as National Commissions world wide, to promote and implement the Memory of the World Programme particularly in Latin America and the Caribbean and to review and redefine the selection criteria for nominations in the Memory of the World Register and. The Conference was attended by 123 participants from 43 countries and it attracted excellent media coverage. The inauguration of the "Memory of the World" First Day Stamp issued by the Mexican Post Office on this occasion was followed by a short film Sentinels of Silence introduced by Carlos Fuentes about the Mexican heritage. The attraction of mass media's attention to issues addressed by the Memory of the World Programme was discussed. It was pointed out that "what is not in the media does not exist". Therefore it is recommended for the further promotion of the Memory of the World Programme:

·        to identify in each country journalists who are dealing with issues promoted by the "Memory of the World" Programme;

·        to identify the public -people having certain background in the domain of preservation, safeguarding and digitization of documentary heritage;

·        to create a public debate and involve people;

·        to find topics and stories attracting media in each country;

·        to disseminate UNESCO's conventions and legal instruments via National Commissions at national level and to strengthen the collaboration with NGOs;

·        to consider creating "Memory of the World" book, film and disc awards.

Memory of the World Registers    

There are three types of register: international, regional and national.  All registers contain material of world significance and a given item may appear in more than one register.

This international register lists documentary heritage which has been identified by the 'Memory of the World' International Advisory Committee as meeting the selection criteria for world significance, similar in some ways to UNESCO's World Heritage List. However, the nomination and registration of documents under the "Memory of the World" label will have no legal or financial implications.

 

In its meeting in Cheongju City, Republic of Korea in June 2001, the IAC reviewed 42 nominations received from 23 countries. 21 collections from 11 countries have been added to the Memory of the World Register on recommendation of the Committee. The selected collections include such famous items as the Gutenberg Bible held by the State and University Library of Lower Saxonia, Göttingen, Germany and the Endeavour Journal of James Cook preserved at Australia National Library in Canberra. Previous registrations include the Records of the Qing's Grand Secretariat, held by the First Historical Archives of China, the Masterpieces of Fryderyk Chopin, held by the Fryderyk Chopin Society in Warsaw and the Eric Williams Collection of the Library of the University of West Indies, Trinidad and Tobago. A number of nominations were considered more appropriate for national or regional registers as no sufficient evidence of world significance could be found in the nominations.

 

In its meeting in Gdansk, from 28-30 August 2003, the IAC reviewed 41 nominations of library and archive collections from 27 countries.  23 documentary collections from 20 countries were selected for inscription on the Memory of the World Register. These include the Declaration of the Rights of Man and the Citizen of 1789 and documents pertaining to slavery in the Caribbean held in Barbados.                                                   Twelve countries enter the Register for the first time: Barbados, Brazil, Chile, France, Kazakhstan, Luxembourg, Netherlands, Saudi Arabia, Serbia and Montenegro, Tajikistan, Thailand, and Uruguay.

This brings the total number of entries on the Memory of the World Register to 89 collections from 45 countries.

 

Individual countries are encouraged to set up their own documentary heritage registers in parallel to the international register. National registers identify the documentary inheritance of the nation. The national registers will increase awareness of the importance of the national documentary heritage and the need for a co-ordinated and integrated policy to ensure that endangered documentary heritage is preserved. Groups of nations like the Scandinavian countries or the Baltic States may compile regional registers to list documentary heritage which is integral to their collective memory. Regional registers may vary in character: for example, they may be a form of cooperation between national registers, or they may list documentary heritage of regional influence which does not appear on national registers.  They may afford opportunity for minorities and sub-cultures to be appropriately represented.

 

Selection criteria

Each register – international, regional or national - is based on criteria for assessing the significance of documentary heritage, and assessing whether its influence was global, regional or national. The following criteria are framed in terms of the international register, but also apply (with logical variation) to regional and national registers.   

 

Assessment is comparative and relative. There can be no absolute measure of cultural significance. Accordingly, there is no fixed point at which documentary heritage qualifies for inclusion in a register. Selection for inclusion in a register will therefore result from assessing the heritage item on its own merits against the selection criteria, and in the context of other items already either included or rejected.

 

When considering documentary heritage for inclusion in the Register the item will be first assessed against the threshold test of: authenticity.  Is it what it appears to be?  Has its identity and provenance been reliably established? 

Second, the IAC must be satisfied that the nominated item is of world significance. That is, it must be: unique and irreplaceable, something whose disappearance or deterioration     would constitute a harmful impoverishment of the heritage of humanity. It must have created great impact over a span of time or within a particular cultural area of the world. It may be representative of a type, but must have no direct equal. It must have had great influence - whether positive or negative – on the course of history.

Thirdly, world significance must be demonstrated in meeting one or more of the criteria set out below. Because significance is comparative, these criteria are best illustrated by checking them against items of documentary heritage already inscribed on the Register.

 

1 – Time: Absolute age, of itself, does not make a document significant: but every document is a creature of its time. Some documents are especially evocative of their time, which may have been one of crisis, or significant social or cultural change. A document may represent new discovery or be the “first of its kind”.

 

2 – Place: The place of its creation is a key attribute of its importance. It may contain crucial information about a locality important in world history and culture; or the location may itself have been an important influence on the events or phenomena represented by the document. It may be descriptive of physical environments, cities or institutions since vanished.

 

3 – People: The social and cultural context of its creation may reflect significant aspects of human behaviour, or of social, industrial, artistic or political development. It may capture the essence of great movements, transitions, advances or regression. It may reflect the impact of key individuals or groups.

 

4 – Subject and theme: The subject matter may represent particular historical or intellectual developments in natural, social and human sciences, politics, ideology, sports and the arts.

 

5 – Form and style: The item may have outstanding aesthetic, stylistic or linguistic value, be a typical or key exemplar of a type of presentation, custom or medium, or of a disappeared or disappearing carrier or format (such as illuminated mediaeval manuscripts, palm leaf manuscripts, obsolete video or audio formats).

 

 

 

Finally, the following matters will also be taken into account:

 

¨      Rarity: does its content or physical nature make it a rare surviving example of its type or time?

 

¨      Integrity: within the natural physical limitations of carrier survival, is it complete or partial? Has it been altered or damaged?

 

¨      Threat: Is its survival in danger? If it is secure, must vigilance be applied to maintain that security?

 

¨      Management plan: Is there a plan which reflects the significance of the documentary heritage, with appropriate strategies to preserve and provide access to it?

 

It was agreed that a high degree of selectivity along with a high degree of rigour adds to the credibility of the Memory of the World label.

 

The criteria for documentary heritage to be entered on National or Regional Registers are to be decided by the relevant National or Regional Committees. It is recommended, however, that the World Register criteria be used as a model. Restrictions on access to documentary heritage will not systematically prevent entry on a Register but may reduce the possibility of receiving support through the "Memory of the World" Programme.

 

Review of the selection criteria

 

·        The question of weighing the criteria differently for different types of documents was raised. For example, the documents collected by a political figure in his/her lifetime may require more stringent assessment against Criterium 1 - Influence - than other types of collection. Similarly, documentary films may need to be tested more stringently against Criterium 5 - Subject/Theme - while Criterium 6 - Form and Style - may need to be applied more strictly for entertainment films. In many instances, the IAC may seek specific specialist advice from the appropriate NGO.

·        The following stance on archival fonds is of fundamental importance: The IAC recognizes that all archival fonds are generated organically by state administrations, corporate bodies and individuals in the course of their normal activities. The IAC considers, however, that the Memory of the World Register cannot include all the records in public and private archives, no matter how important those bodies or individuals may be. A large proportion of the records are concerned with local, national and, sometimes, regional issues.

Repositories should nominate for inclusion on the World Register only those documents that are clearly of world significance. The nomination may consist of a complete fonds, a sous-fonds, series or groups of records or even a single document within a collection.

·        The three levels of Memory of the World registers – international, regional and national – do not denote levels of “importance” but rather the geographic sphere of the value and importance of the heritage concerned. In a fundamental sense all are equally important, that is why they merit inclusion. Decisions on acceptance or rejection of all nominations should take into account this three-level structure regardless of whether the relevant national or regional register has yet been formally established.

·        There cannot be “open-ended” nominations: all proposals must relate to fixed and finite documents or groups of documents. Once added to the Register, the document group cannot be varied or redefined over time. Having accepted this principle, however, the fugitive nature of some materials – such as audio-visual carriers – has to be recognized: sometimes, what survives over time may be the content rather than the decaying original carrier. There may need to be format change within a group of documents after it is included on the Register.

·        Memory of the World is an open and inclusive programme: it is important to allow individuals, as well as organizations within and outside the UNESCO umbrella, to nominate items for the Register. We have so far tended to use a “top down” approach: perhaps we now need a wider approach. We could involve UNESCO national commissions and national Memory of the World committees in offering comment on revised criteria. This also matters as national Memory of the World registers are established: criteria for all registers at national, regional and international levels need to be mutually consistent in their definition and operation.

·        We should avoid political correctness, which is not a criterion for evaluating a nomination, but rather deal objectively with the merits of each proposal for nomination, in its own right. We receive and respond: we may stimulate, too, but should not distort (a specific example of stimulating activity in Central Asia was quoted.)

·        We must be pragmatic also in reading the political and cultural context of nominations. Adding a nomination to the Memory of the World Register not only recognizes the importance of the documentary heritage involved, but may also be instrumental in obtaining the release of government funds for preservation work, or in generally raising the status of the documentary heritage in the country or locality concerned. (These are key objectives of the Memory of the World programme.) As a body concerned with cultural rather than political values, the IAC should focus on the cultural value of the material under consideration, and while being aware of relevant political or other agendas attaching to it, be primarily concerned with the timeless cultural issues.

·        There is a need for ongoing dialogue with the UNESCO World Heritage programme to ensure compatibility in our approaches to documentary heritage contained within a designated World Heritage site.

·        There is a need for special guidelines to be developed for dealing with the organized records of major political figures, musicians and scientists: there are many hundreds (thousands?) of such collections and it would be impractical and undesirable to have such material dominate the programme. A “time test” – restricting eligibility to non-contemporary materials – may be one useful approach. Other formats or collection types may also require special guidelines – for instance, exhibitions (as opposed to collections) and databases.

Pilot projects

The Programme has established several experimental pilot projects. These have resulted in a number of interesting CD-ROMs, web sites and publications:

 

Prague

 

            A digitization programme was launched by the National Library in Prague , in co-operation with a private firm, Albertina Ltd. A demonstration CD-ROM was first published in 1993, featuring some of the most precious manuscripts and other documents in the historic collections of the National Library, with annotations in Czech, English and French. In 1995 a CD-ROM series has been started with the release of the first two discs in May. Digitizing the most beautiful manuscripts and old prints of the National Library will facilitate access to these treasures without exposing the originals to heavy use, thus contributing to their preservation. In addition, while colours and ink react with paper, parchment, silk and other traditional media, digital information does not fade with the passing of time and could be easily transferred from CD-ROM to future more durable media.

 

The Radzivill Chronicle

 

            Written in old Russian, this monumental work reveals the history of Russia and its neighbours from the fifth to the early thirteenth century in pictorial form, representing events described in the manuscript with more than six hundred colour illustrations. Known to the scholarly community according to its ownership in the seventeenth and eighteenth centuries, the Radzivill, or Kenigsberg Chronicle, is the most ancient surviving example of the art of the Russian illuminated chronicle. It is a fifteenth century copy of a thirteenth century archetype held by the Library of the Russian Academy of Sciences in Saint Petersburg (BAN). The Radzivill Chronicle's combination of text and illustration places this manuscript in the company of such acknowledged masterpieces as the Madrid copy of the Greek Illuminated Chronicle of Ioann Scilipa, the Vatican copy of the Bulgarian Translated Chronicle of Konstantin Manassia, the Budapest copy of the Hungarian Illuminated Chronicle, and the copies of the Big French Chronicles. Among these, the Radzivill is distinguished by the richness and quantity of its illustrations.

 

            The increasing fragility of the original manuscript, together with its pre-eminence in the Russian literature, has left BAN sharing a dilemma faced by libraries around the world in charge of the care and wise use of cultural treasures. The handling of the Radzivill Chronicle, itself, must be restricted to preserve its material well-being. At the same time, the scholarly and scientific enterprise to which the Library is dedicated argues for access to this important document for serious research. This is why the Library has turned to a digital medium - to display the manuscript in full colour while preserving the original. A prototype Photo CD is produced with the support of UNESCO and the Library of Congress, as a pilot project and a demonstration of the use of digital media in the service of preservation.

 

Saint Sophia

 

            Devised by a group of Bulgarian and French writers, the "Saint Sophia" project is an attempt at a multimedia edition of Bulgarian manuscripts on an interactive compact disc. The disc evokes the symbolic figure of Saint Sophia, patron saint of Sofia , the capital city of Bulgaria , in Bulgarian history, literature and civilization from the eleventh to the seventeenth centuries.

 

            The documents selected include primarily the facsimile reproduction, in the form of digital images, of Bulgarian manuscripts, including the oldest known: the eleventh-century Book of Apostolic Epistles of Enina. They are supplemented by reproductions of illuminations, frontispieces and decorative motifs, and by photographs of various historic and archaeological sites. There are also printed transcriptions in Old Bulgarian of certain manuscripts and, where available, their translations into modern Bulgarian, English and French.

 

The Sana'a manuscripts

 

            In 1972, after heavy rain, a section of the wall of the Great Mosque of Sana'a collapsed. Work on the roof brought to light manuscripts which had been concealed in the ceiling in ancient times. They are parchment and paper fragments representing approximately one thousand different volumes, the oldest of which date back to the first century of the Hegira. Most are extracts from the Koran and are of considerable interest for the linguistic, religious and paleographic study of the literature of the early centuries of the Hegira and of the Arabic language. The fortuitous and extraordinary discovery of these documents and their unique character constitute a remarkable event which will mobilize efforts and expertise on an international scale. Thanks to the active participation of Germany , a plan of work on the fragments was begun, which led to the construction of a House of Manuscripts, the restoration of some 12,000 fragments of parchment (out of 15,000), their storage, identification and classification and the training of Yemeni restorers and photographers.

 

            Research work on illuminated fragments and on bindings was carried out with a grant from the Getty Institute. This work, together with papers read at congresses and articles in academic journals, shows just how remarkable the collection is. The Yemeni authorities concur in the view that the collection is the equivalent of a historic building of exceptional heritage quality. A UNESCO mission visited Sana'a at their request to consider including a pilot project on the Yemeni collections in the "Memory of the World" Programme.

 

            A National Committee for the project has been set up to identify the most suitable documents. A demonstration disc based on a selection of manuscripts including some of the Koranic fragments has been published, in co-operation with the Regional Information Technology and Software Engineering Centre (RITSEC), Cairo, Egypt. This CD-ROM offers an introduction to the Arabic calligraphy illustrated by Yemenite manuscripts, especially the Koranic fragments. Descriptions and comments are provided in Arabic, English and French.

 

Memoria de Iberoamerica

 

            The project, submitted to UNESCO by the "Asociación de Bibliotecas Nacionales de Iberoamerica" (ABINIA) is concerned, in its first stage, with protecting the nineteenth-century press published in Latin America and improving access to it for historians and interested members of the public.

 

            ABINIA had previously organized a series of activities on the occasion of the Five Hundredth Anniversary of the Encounter between Two Worlds, in response to the desire to encourage appreciation of the documentary heritage of the Iberian world.

 

            Among these activities was the compilation of a database indexing 90,000 books from the sixteenth to the eighteenth centuries, a travelling exhibition and the reissue of the most important historical works in the context of the Five Hundredth Anniversary. The national libraries of twelve countries (Brazil, Chile, Colombia, Costa Rica, Cuba, El Salvador, Mexico, Nicaragua, Puerto Rico, Peru, Portugal and Venezuela) are taking part in the project on the nineteenth-century press. It has led to the drawing up of a computerized inventory of some 6,000 newspaper titles and other press organs.

 

            The second phase of the project is to arrange for the conservation of the listed collections and their transfer to microfilm and digital form with a view to exchanges between national libraries, the organization of exhibitions and special publications.

 

Manuscripts of the Kandilli Observatory

 

            The aim of this project is the preservation of a collection of about 1300 works on astronomy in three languages (Turkish, Persian and Arabic) held in the Library of Kandilli Observatory and Earthquake Research Institute at Bogaziçi University in Istanbul.

 

            UNESCO's contribution covered the preparation and publication of the catalogue of these manuscripts and the production of a CD-ROM consisting of the catalogue and sample pages from most of the manuscripts.

 

Memory of Russia

 

            This project deals with preserving and improving access to the collection of 15th and 16th Century Slavic manuscripts held by the Russian State Library in Moscow . It also includes the archives of many of the major Russian authors such as Dostoevsky and Pushkin.

 

African Postcards

 

            The old postcards chosen for this project constitute a pictorial treasure and are related to the 16 countries of the Economic Community of West African States (ECOWAS). These postcards are very rare because they are scattered in many countries, mostly in Europe. Only their presentation on a CD-ROM or a Web Site could bring them together, at least partially, under one theme or in an historical and geographical framework. The CD-ROM, prepared in collaboration with the Association Images et Mémoires and ICG-Mémoire Directe, features 3.000 postcards, which represent only a small percentage of the existing 50.000 for the same period (1890-1930) and the same countries. This first achievement should pave the way to even more sophisticated initiatives.

 

Treasures of Dar Al Kutub

 

            This project, reproducing on CD-ROM a selection of precious manuscripts of the National Library in Cairo (Dar Al Kutub), offers a guided tour among the splendours of the Arab culture and its contribution to the enhancement of knowledge in numerous scientific fields.

 

 

 

 

Manuscripts of Vilnius University

 

            This project is in many ways similar to the preceding one. It concerns collections of manuscripts, incunabula and old atlases kept at the Vilnius University Library and its aim is to illustrate, through a series of CD-ROMs and on Internet, European contributions to scientific advancement between the 15th and the 18th century.

 

Photographic collections in Latin America and the Caribbean

 

            The huge number of photographic collections scattered around the world led the promoters of this project to limit its scope, in a first stage, to Latin America and the Caribbean and to public collections of the 14th century held in national archives and libraries.

 

            Through the stock of prints often stored in inadequate preservation conditions, it is the whole life of the nations which re-surges with its important moments and the portraits of those who have influenced the course of history.

 

            The coupling of a CD-ROM containing 3.000 to 5.000 prints illustrating the main stages of the history of some ten countries of Latin America and the Caribbean and of a presentation on the Web of a representative sample of images (video quality) with comments in English, French, Portuguese and Spanish, will enhance the value of this fragile heritage, in danger of disappearing. It is hoped that this will then help libraries and archives to ensure that preservation of their photographic collections is a priority.

 

Virtual Matenadaran

 

             The Matenadaran is one of the oldest book-depositories in the world. Its collection of about 17.000 manuscripts includes almost all the areas of ancient and medieval Armenian culture and sciences - history, geography, grammar, philosophy, law, medicine, mathematics-cosmography, theory of calendar, alchemy-chemistry, literature, chronology, art history, miniature, music and             theatre, as well as manuscripts in Arabic, Persian, Greek, Syrian, Ethiopian, Indian, Japanese and others. In this center of cultural heritage many originals, lost in their mother languages and known only of their Armenian translations, have been saved from loss.

 

            The history of the Matenadaran dates back to the creation of the Armenian alphabet in 405. This centre of manuscripts has a history of centuries and the history continues now as well. The Virtual Matenadaran has been set up in the context of Memory of the World.

 

Uzbekistan : Oriental miniatures

 

            This CD-ROM represents a collection of book miniatures of Middle East from 14-17th centuries. It features 374 miniatures, held in Al-Beruni Institute of Oriental Studies of them 114 miniatures by Kamoliddin Behzad and his school.

 

 

The Bibliotheca Corviniana

                                                   

            King Mathias of Hungary invited to his court the leading humanists, artists, poets, and created at the end of the 15th century a library consisting of 2000 volumes. This Bibliotheca Corviniana contained works written for the king and copies of the most important documents known at this time. It represented the literary production and reflected the state of knowledge and arts of the Renaissance. The collection covered philosophy, theology, history, law, literature, geography, natural sciences, medicine, architecture, etc. The manuscripts and early printed books were written mostly in Greek and Latin. In addition to the content, this collection represented a great artistic value due to the miniatures and the bindings.

            In the wars this library was partly destroyed, partly scattered all over the world. Today 216 so called Corvinas are known, out of which Hungarian libraries preserve 53 items, the Austrian National Library possesses 39 volumes, different Italian libraries own 49 items and the rest is in French, German, English, Turkish, USA collections. Their reunification in a digital version of the Bibliotheca Corviniana and its registration on the Memory of World Register of documentary heritage would mean the recreation of a unique presentation and overview of what was the common cultural heritage of the Renaissance in the 15th century Europe .

 

 

All these projects were funded under the UNESCO Regular Programme. A number of other projects received funding under the Participation Programme or from extra-budgetary sources. These include the safeguarding of manuscripts of Antonìn Dvoràk and Bedrich Smetana, held by the Museum of Czech Music in Prague; the setting up of a database on the preservation conditions of documentary heritage in Estonia, inventory and preservation of manuscripts in Mauritania, provision of equipment in Algeria, Armenia, Cuba and Poland, and of regional training courses in Caracas, at the Centre for Preservation of Paper of the National Library of Venezuela and in Prague, at the Digitization Centre of the National Library of the Czech Republic; reproduction and repatriation in Antigua of historical records held in foreign repositories; publication of "Libro de los Pareceres de la Real Audiencia de Guatemala 1573-1655"; reproduction of the hand-written card file of the 11th-17th century Russian language to CD-ROM to promote access to this collection, etc.

Two other projects received extra-budgetary funds: these are the Slave Trade Archives project, funded by Norway and the Timbuktu Manuscripts project, funded by Luxembourg .

 

Technical framework

From the examples mentioned above, it emerges clearly that the two basic principles which guide the "Memory of the World" Programme are the preservation of documents, holdings and collections and the democratization of access to them. The two principles are intrinsically linked, since access is conducive to protection and preservation ensures access.

 

The essential steps for carrying out any project in the "Memory of the World" programme are: selecting and preparing the documents, ensuring that they are placed in a suitable physical environment, photographing them where necessary, digitizing them, describing and annotating them, providing the staff to perform these tasks with appropriate ad hoc training where necessary, translating bibliographical descriptions or even the texts themselves where necessary, and ensuring that the resulting product is distributed as widely as possible.

 

Provision has been made for the establishment of two sub-committees, the first to make regular assessments of the technology that might be used by the Programme and the second to study methods for marketing and selling the Programme's products throughout the world. The first Committee held four meetings devoted to preservation and digitization of documents. It reviewed recent developments in digitization and prepared technical guidelines with a table showing, for each type of carrier (texts and still images on the one hand and sound and moving images on the other hand) the recommended digitization standards for access. It was suggested that a programme of digitization of documents is the best compromise between the conflicting demands for wider access to collections and for greater protection of the documents.

 

The Sub-Committee also considered a draft recommendation that digital copies of manuscripts and old printed material under "Memory of the World" use the Hypertext Mark-up Language (HTML 2.0) as the basic presentation tool in order to provide the widest possible access. Through HTML discs can be searched using any Internet search software. The technology can also be adapted for use on other carriers (sound recordings, photographs, newspapers, etc.) and, of course, for documents placed on the World Wide Web.


As to the preservation of the originals, a ‘Guide to Preservation Standards’ which is available both in paper edition (CII-98/WS/4) and on the Web site provides a compilation of the most relevant standards. It covers the following sections:

 

-          Paper and other traditional materials (such as leather, parchment, palm-leaves, etc.)

-          Photographic materials

-          Mechanical carriers (including phonograph cylinders, microgroove discs, etc.)

-          Magnetic materials (such as magnetic tapes and disks)

-          Optical media (audio CDs, CD-ROMs, video discs, optical tapes, etc.)

-          Electronic publications (off-line and on-line publications)

-          Electronic records and virtual information (such as E-mail messages and personal computer files)

 

Each section introduces the general problem, draws the list of relevant standards, relating them to each other and pinpointing gaps, provides implementation guidelines and checklists and discusses Third World issues such as climatic and financial conditions, grass-root and traditional preservation techniques and minimum standards.

A CD-ROM on preventive preservation and conservation has been prepared in co-operation with IFLA. This disk displays a comprehensive documentation both in English and French, with illustration material on degradation factors affecting library and archival materials as well as preventive measures to be taken. The disk is expected to be used in all sorts of education and training programmes. Large extracts will also make available on the 'Memory of the World' web site.

 

A number of training activities are being arranged in the context of the Programme. Two training workshops on preservation and conservation in Africa were held in 1999 and 2000 in co-operation with the IFLA/ICA Joint Committee on Preservation in Africa (JICPA). These workshops took place in Praia, Cape Verde for Portuguese speaking specialists and in Harare, Zimbabwe for English speaking conservators. The objectives of these workshops are:

 

l      to provide the participants with an understanding of the nature of paper and characteristics and other media and the need for their preservation;

l      to impart practical knowledge of restoration of documents to participants;

l      to provide adequate time for meaningful discussion of specific problems faced by participants in their home countries.

 

From the discussion in Harare and Praia it appeared that the situation in many countries is quite serious where in some cases directors of libraries and archives are not very much interested in preservation and conservation and only a lower priority was given to them in the scheme of things.

 

A workshop entitled "Safeguarding the African Documentary Heritage" was held in February 2001 in Cape Town , South Africa . During the five-day workshop - intended for archivists and librarians with managerial responsibility for preservation - courses on standards and best practices were presented by experts from Europe and South Africa. A similar workshop will take place in November 2003 in Cape Town. As part of the Slave Trade Archives project, regional seminars on preservation and digitisation took place in 2002 and 2003 in Accra , Dakar , Banjul , Cape Verde and Porto-Novo .

 

Regional Workshops on Preservation of and Access to Southeast Asia Documentary Heritage took place in Hanoi , Vietnam , 4-8 February 2002 and Cheongju City , Republic of Korea , 11-14 June 2002.

A similar workshop will be held in Cheongju City in 2004.

 

Lastly, so that UNESCO can play its role to the full as co-ordinator and catalyst, three inventories in the form of regularly updated databases are being created in co-operation with IFLA, ICA and other competent professional bodies such as FID, FIAF, FIAT and IASA.

 

1)         Inventory of library collections and archive holdings which have suffered irreparable destruction since 1900: This inventory, published as "Lost Memory - Libraries and archives destroyed in the twentieth century" (CII-96/WS/1), is an attempt to list major disasters that destroyed or caused irreparable damage to libraries and archives during the present century. Thousands of libraries and archives have been destroyed or badly damaged in the course of fighting during the two world wars, notably in France, Germany, Italy and Poland. War has also been the cause of untold destruction to libraries and archives more recently in former Yugoslavia and in many other countries. The document, prepared by J. van Albada (ICA) and H. van der Hoeven (IFLA) lists lost documentary heritage in more than 100 countries. This inventory is not meant to be a sort of funerary monument but is intended to alert public opinion and sensitize the professional community and local and national authorities to the disappearance of archival and library treasures and to draw attention to the urgent need to safeguard endangered documentary heritage.

 

2)         World list of endangered library collections and archive holdings: To date more than 60 countries have proposed collections and holdings to be included in the list of endangered documentary heritage. The International Association of Sound Archives has conducted a survey carried out by George Boston, in the context of this exercise that shows that the most endangered carriers are not necessarily the oldest. In the audio domain, substantial numbers of acetate discs and tapes are lost each year. All unique acetate recordings at risk need to be copied swiftly to a new format. A database called "Endangered Memory" is being constituted with answers to the questionnaire distributed since 1994. This database presently contains 128 answers from 59 countries.

 

3)         Inventory of ongoing operations to protect documentary heritage: Documentary heritage has been lost in the past and will continue to disappear in the future. The aim of "Memory of the World" is to ensure that significant material is identified and saved. Today's technology enables us to identify the location of important documentary heritage and gain access to it. This inventory, prepared under contract with IFLA by Jan Lyall, lists major preservation activities currently in progress. The information in this document (CII-96/WS/7) was obtained through a questionnaire which was widely distributed in English, French, German, Japanese and Spanish, using the IFLA Preservation and Conservation (PAC) network. The survey was intended to collect information from libraries with collections of national significance in order to identify problems in various parts of the world and to obtain a snapshot of current preservation activities. More than 200 responses were received and keyed into the computer. This database, as well as the previous one, running on CDS/ISIS, will be updated regularly and the data analysis facilitated by use of IDAMS, a statistical package developed by UNESCO and featuring an interface with CDS/ISIS. The two lists will constitute the indispensable basis for the Programme along with the "Memory of the World" Register.

Furthermore, in recognition of the impact of cinema throughout the world, it was decided, as part of the centenary celebration, to compile and publish, in the context of the "Memory of the World" Programme, a list of approximately 15 films each country considers to be representative of its most significant film heritage. This list is available free of charge from PGI under the title "National Cinematographic Heritage" (CII-95/WS/7).

A world wide survey on digital collections and their preservation has been conducted in cooperation with IFLA. There is a great deal of uncertainty regarding the preservation of digital information and professional circles have become increasingly anxious about the safeguard of these new documents. The aim of this IFLA/UNESCO project is two-fold. First, it intends to list the main digitization programmes that are being conducted throughout the world. This database contains so far 271 collections.  This list will allow UNESCO to identify those collections which could become part of the “Memory of the World” Programme, and lead to the constitution (either through direct access to a data base or by way of links to library web sites) of a global virtual library, at least for those documents belonging to the “public domain”. Secondly, it aims at identifying and assessing the various preservation policies and strategies concerning digital collections.

 

Finally, UNESCO has published guidelines on the Programme's technical, legal and financial framework and its working structures. This text is available in all UNESCO official languages, free-of-charge, under the title "Memory of the World- General Guidelines to Safeguard Documentary Heritage" (CII-95/WS-11). A new edition was published in 2002 and is available online.

 

Legal Framework

Documentary heritage in war

 

A major diplomatic conference held in The Hague , Netherlands (15-26 March 1999) adopted new provisions for the protection of cultural heritage in the event of armed conflict, destined to improve the safeguards provided by the UNESCO Convention for the Protection of Cultural Property in the Event of Armed Conflict adopted in The Hague in 1954.     

 

These provisions will offer the international community an opportunity to take measures to counter the alarming new tide of damage and loss due to armed conflicts since 1990. The recent, and sometimes intentional, destruction of heritage in Afghanistan, Bosnia and Herzegovina, Cambodia, Croatia, Iraq and Somalia, among other places, has led to calls to improve this protection. Such destruction represents an inestimable loss to the common heritage of humanity and to the cultural development and identity of local communities.

 

UNESCO, together with some other intergovernmental and non-governmental organizations, has conducted a review of the 1954 Convention and found several aspects in which it could be strengthened. More precise provisions were brought to the concept of "military necessity" and better heritage protection in situations of civil and domestic conflicts. There is also a significant demand for the adoption of an improved system of sanctions to punish perpetrators of crimes affecting cultural heritage and for the creation of a body to supervise the implementation of the Convention.

The International Council of Museums (ICOM), the International Council on Monuments and Sites (ICOMOS), the International Council on Archives (ICA) and the International Federation of Library Associations and Institutions (IFLA), which have established the International Committee of the Blue Shield as a coordinating body, provide the experts who try to protect cultural heritage under threat.

 

Partnership agreements and ethical issues

 

Working in partnership in an international context means that a legal framework is an absolute necessity if "Memory of the World" is to be managed in a properly accountable manner. The framework must nevertheless remain sufficiently flexible to guarantee the originality of each project and take account of the diversity of national legislation.

 

It is essential that the rights of the owners of the collections and holdings in a project are respected and that the relationship between the owners and the technical and commercial partners is clearly defined, particularly with regard to the division of rights among the various parties, the allocation of rights of ownership to the images produced and the sharing of the profits from the sales of products made from images. It also seems clear, however, that excessive protection which might limit access to the documents would run counter to one of the Programme's fundamental principles. The International Advisory Committee recommended, at its second meeting, that UNESCO pay careful attention to legal questions affecting the intellectual heritage in the new context of the increasing use of electronic storage media in libraries and archives, in particular to provide for freedom of access within the limits set by national and international legislation.

 

The Infoethics 2000,  the third UNESCO Congress on Ethical, Legal and Societal Challenges of Cyberspace took place in Paris from 13 to 15 November  2000 discussed the areas of public domain, multilingualism, globalization, privacy, confidentiality and security in cyberspace. It has contributed to building up a consensus on ethical, legal and societal principles applicable in cyberspace. Numerous international consultations are showing that clear policy guidelines are needed in the increasingly open, interactive and global information context. Such guidelines should cover all aspects of the global information networks - technological and economic, but also educational, scientific, cultural and social. The latter will ultimately have a deeper and more fundamental significance in achieving an Information Society for All. Every citizen in the world should have the right to meaningful participation in the Information Society which has become an integral part of society as we know it today, with all the rights and obligations that this entails.      

    

Financial context

All projects carried out so far were funded under the UNESCO Regular Programme or its Participation Programme. More projects are awaiting funding. These include, for example the restoration and preservation of 7000 hours of audio material of Chinese folk music, preservation of Tamil palm-leaf manuscripts in India, preservation of Vietnam film heritage, preservation of Lao manuscripts, preservation of a Jewish musical collection in Kiev, safeguarding of manuscripts of ancient cities in Mauritania, etc. Extra-budgetary funding for some of these projects has been pledged. This includes Norwegian funding for the preservation of, and enhanced access to, the slave trade archives in Africa and Latin America and the Caribbean and funding from Luxembourg for the preservation and accessibility of the manuscripts of Timbuktu .

 

Each "Memory of the World" project is an entity in itself, especially as far as finance is concerned. While profit can never be a prerequisite for carrying out a project, each project must strike a financial balance between, on the one hand, the investment needed for digitizing, reproducing, and distributing products and for preparing the reproduced collections and holdings for conservation and, on the other, initial contributions from local or outside funds and royalties from possible sale of products. This balance will not be achieved without the participation of sponsors and technical and financial partners. The search for partners is an important, not to say decisive, phase of all "Memory of the World" projects.

Some projects are being funded by governments with no financial implication for UNESCO. A good example is the archives of the Dutch East Indian Company (VOC). An international conference on the Dutch East Indian Company Archives project was held in The Hague and Leyden on 10 and 11, December 1998 following Resolution 28 adopted by the 29th session of the General Conference of UNESCO. This meeting was organised by the National Commission of the Netherlands and attended by participants from all concerned countries, including Permanent Delegates to UNESCO of the Netherlands, India, Sri Lanka and Indonesia. The archives of the Dutch East Indian Company (VOC) represent a unique source of information about the 17th and 18th century history of many countries and cultures of Europe, Africa, Asia and Australia. The history of the East India Company is not merely the of a large Dutch business conglomerate symbolized by many large architectural monuments such as warehouses, meeting halls or ship wharves. The records of this Company deal with its operations in Asia, and thus shed considerable light on Asian history as well. The aim of the project is safeguarding the extensive material heritage this trading company has left behind in the Netherlands and Asia , and how we can make this mutual heritage accessible and available for further use.

During the Conference it is announced that the Government of the Netherlands has decided to launch in co-operation with all concerned Member States the Dutch East Indian Company (VOC) archives project within the framework of Memory of the World.

 

The Sub-Committee on Marketing held its first meeting in Oslo , in July 1996. The Group outlined a fund-raising strategy for the Programme, together with a promotional and marketing plan and a legal framework. The meeting agreed that there was a possibility for "Memory of the World" to seek partnership with major companies active in creating and preserving memory and knowledge. It was also stressed that the Programme needed to be marketed first for the professions, through their associations and publications. The participants also suggested that celebrated writers and winners of literary prizes should be invited to rally the Programme and publicise its aims and achievements.

 


 

 

Sources:     "Memory of the World" Programme - First Meeting of the International Advisory Committee, Pultusk , Poland , 12-14 September 1993. Final Report, Paris , UNESCO, 1993 (PGI‑93/WS/17)

 

                   "Memory of the World" Programme - Second Meeting of the International Advisory Committee, Paris , France , 3-5 May 1995. Final Report, Paris , UNESCO, 1995

                   (CII-95/CONF.602/3)

                  

                   "Memory of the World" Programme – Third Meeting of the International Advisory Committee, Tashkent , Uzbekistan , 29 September-1st October 1997. FinalRepor,Paris, UNESCO, 1997 (CII‑97/CONF.503)

                  

"Memory of the World" Programme –Fourth Meeting of the International Advisory Committee, Vienna , Austria , 1999. Final Report, Paris , UNESCO, 1999 (CII‑97/CONF.502.1)

 

"Memory of the World" Programme –Fifth Meeting of the International Advisory Committee, Cheongju City , Republic of Korea . Final Report. Paris, UNESCO, 2001(CI/INF/2001/3)

 

"Memory of the World" Programme –Sixth Meeting of the International Advisory Committee, Gdansk , Poland . Final Report. Paris, UNESCO, 2003 (CI/INF/2003)

 

                   "Memory of the World" - General Guidelines to Safeguard Documentary Heritage. Paris, UNESCO, 1995 (CII-95/WS-11) and revised edition, 2002

 

                   "Memory of the World" - Lost Memory - Libraries and Archives destroyed in the Twentieth Century. Paris, UNESCO, 1996 (CII-96/WS/1)

 

                   "Memory of the World" - A survey of current library preservation activities. Paris, UNESCO, 1997 (CII-96/WS-7)

 

                   Proceedings of the First International "Memory of the World" Conference, Oslo , 3-5 June 1996. Edited for UNESCO by Stephen Foster. Oslo , 1996

                  

"Memory of the World" Programme- Safeguarding the Documentary Heritage: A Guide to Standards, Recommended Practices and Reference Literature Related to the Preservation of Documents of All Kinds.

Paris, UNESCO, 1998 (CII-98/WS/4)

 

"Memory of the World" Programme - External Evaluation. Paris, UNESCO, 1998 (CII-98/WS/5)

 

 

 

For further information please visit UNESCO's web site: http://www.unesco.org/webworld